July BAIPA Meeting: Using CreateSpace to Self-Publish & Start Your Own Home-Based Business

July 10th, 2010

Today’s BAIPA speaker was Christy Pinheiro, a successful self-publisher. In 3 short years, her company is consistently grossing $10,000 – $18,000/month in royalties. (Yes, that’s ten THOUSAND to eighteen THOUSAND per MONTH in royalties — and she even had the royalty sheet from CreateSpace to prove it.) Her publications include The PassKey EA Exam Review book series, as well as a number of other books on various accounting and bookkeeping subjects.

In addition to her accounting book, she is also the author of Step-by-Step Guide to Self Publishing for Profit: Start Your Own Home-Based Publishing Company and Publish Your Non-Fiction Book with CreateSpace and Amazon.

The majority of her marketing efforts are done through Google AdWords.

Christy is the best speaker I’ve had the pleasure of listening to at BAIPA. She is very up-beat, well-spoken, with a blunt sense of humor. I lost count of the number of times she had the audience laughing.

According to Christy, publishing is “10% creativity and 90% outright stubbornness and the willingness to accept criticism.” I think they should make t-shirts with this slogan!

For as little as $25 (the cost of a proof copy) you can have your book on - for as little as $25 (the cost of a proof copy) you can have your book on CreateSpace. They even have free software to help you create your book cover. CreateSpace is owned by Amazon; any book sold on CreateSpace is automatically available through Amazon.

However, Christy pointed out that just because you can have your book published for as little as $25, that doesn’t mean you should. She emphasized the importance of hiring good copy editors and designers. The idea is to make your book look as good as anything being published by the mainstream, New York publishers. Christy also emphasized that dangers of publishing a book without getting the proper edits and design work done: bad reviews on Amazon. And those reviews stay up on Amazon.

Christy runs a free website for publishers called Step-by-Step Self Publishing. She offers lots of free information, such as how to create your own sell sheet and lists of no-cost book reviews.

She also discussed the difference between Vanity Publishing and Self Publishing. This was very interesting to me, as I’ve seen both terms thrown around quite a bit and did not have a firm grasp of the difference. So here’s what I learned:

Vanity Publishing is when you pay someone to publish you. For example, publishing your book through Book Surge or iUniverse. The target profit center for these companies is the authors themselves; their emphasis is to sell books to authors, not to the public. Vanity publishers also own the ISBNs.

Self-Publishing is getting your books published on your own. You own the ISBN. The emphasis is to sell books to others, not to yourself.

All-in-all, Christy Pinherio gave a wonderful presentation and shared lots of information with all the BAIPA members today. I hope I have the pleasure of seeing her speak again sometime in the future.

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New Heritage Tale Submission Guidelines

June 13th, 2010

The new & improved Pixiu Press website is up and running! Revised guidelines for Heritage Tales are also up.

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Author & Illustrator of Raggedy Chan Develop Book for iPhone

June 5th, 2010

Smartphones the future of e-books?

 
Author Camille Picott and Illustrator Joey Manfre and turned their children’s book, Raggedy Chan, into an app for the iPhone.

 
 “Smartphones are the future of e-books,” says author Camille Picott. “Smartphones are smaller and easier to carry around than other mobile reading devices, like Kindle. 172 million smartphones were sold in 2009. Now Raggedy Chan is available to those 172 million people, plus everyone else who owns a smartphone.”

 
 Raggedy Chan can be purchased off iTunesand read on any smartphone or iPad. Raggedy Chan is illustrated in full color, making the smartphone and iPad the ideal reading devices for the book.

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BAIPA Meeting 5/8/10 – How to turn your book into a audio book

May 16th, 2010

Jessica Kaye from Big Happy Family Audiowas this month’s speaker at BAIPA. Big Happy Family Audio specializes in “Helping independent audio book publishers secure online download distribution”.  The company can help small publishers get their audio books sold by big audio book companies like Audible. It is often difficult to get distribution through big companies like Audibles, which make distributors like Big Happy Family Audio ideal of small publishers.

Kaye discussed what goes into producing a great audio book. Professional  audio books require editing, directing, good equipment, a good studio, and a professional narrator. She stressed the importance of finding a good audio editor, someone with experience in the business. If you want to narrate the book yourself, Kaye suggests taking at least one acting class. A one-hour, professionally produced show costs about $5000.

According to Kaye, there is a professional audio book standard that exists. Because of all the free audio downloads available, a lower standard has been established, but Kaye recommends publishers seriously pursuing the audio route pursue a professional standard. You can learn more about this at the Audio Publishers Associaion.

Kaye gave examples of things to look out for when producing a professional audio book. Anything that takes the listener out of the story, such a coughing, background noise, page turning, or mis-pronounced words are all things to avoid. She also stressed the importance of finding a professional narrator with a voice that fits the style of your book. Oftentimes, you can interview prospective narrators; you send them a portion of text, and they send you an MP3 clip. A good place to find professional narrators is www.voice123.com.

There are many people out there who don’t have $5000, but still want an opportunity to turn your book into an audio book. There were several people in the BAIPA audience who had experience in creating their own audio books for very little upfront costs. There are 3 essentials:

1) SOFTWARE. Audacity is a free, open source software for audio books. For about $50, you can buy Sony’s Sound Forge. This software allows you to make tracts, which can be helpful to audio book listeners.

2) MICROPHONE. You can buy a very cheap one at Amazonfor about $25, although BAIPA members in the audience recommended spending a bit more to get better quality. Among those recommended were the Yetti, which costs about $100 and is available at Blue Mic. Also recommended was the purchase of a “pop screen,” which dulls sharp “p” sounds that we make when we talk.

3) RECORDING STUDIO aka a walk in closet. The clothing in a walk-in does a great job of muffling all outside noises that might interfere with a good recording.

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“Raggedy Chan” named “Best Juvenile Fantasy” by Bay Area Independent Publisher’s Association

April 28th, 2010

“Raggedy Chan” named “Best Juvenile Fantasy” by Bay Area Independent Publisher’s Association

 Author Camille Picott’s book, “Raggedy Chan,” was named “Best Juvenile Fantasy” by the Bay Area Independent Publisher’s Association (BAIPA). The book placed 1st in its category of Juvenile Fantasy and 4th in the overall competition.

“Raggedy Chan” is a fully illustrated children’s fantasy novel about a Chinese princess who journeys to America to rescue her dragon. It can be purchased locally at Limestone and Francis Ford Coppola Winery. It can also be purchased online at www.raggedychan.com. Free teaching curricula for Grades 3-8, which meets the California State Reading Standards, is also available at www.raggedychan.com.

The BAIPA Book Award program was created to draw attention to the fine quality of independently published books and to recognize those publishers for their outstanding works. This year marks its ninth annual program.  

 BAIPA is an educational institution dedicated to elevating the art of the independent author-publisher. It was founded in 1979. You can learn more at www.baipa.org.

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Speculative Fiction in Education, (Final) Post #8: Any last comments you’d like to make about the importance of speculative fiction in education?

March 29th, 2010

Any last comments you’d like to make about the importance of speculative fiction in education?

From Dan Willis: There’s a place for all fiction in the educational process.  Adventure stories make it easier for kids to access reading, but hey, if you’ve got a kid who loves machinery, give him Clancy’s “Hunt for Red October.”  I remember the kinds of things the made us read when I was in school.  It was either insufferably boring (The Grapes of Wrath) or insultingly propagandizing (any of the early-feminist tripe of Willa Cather).  If the goal is to get kids reading, you might as well use every advantage you have.

From Eric G. Swedin: As a K-12 student I was always excited when I got the read speculative fiction for class, but it was a rare opportunity.  I hope that is different today and that speculative fiction will take its rightful place in our changing, technologically-driven society.

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Speculative Fiction in Education, Post #7: 6. Any anecdotes you can share that support the use of speculative fiction in the classroom?

March 26th, 2010

Any anecdotes you can share that support the use of speculative fiction in the classroom?

From Dan Willis: I tried everything I could think of to get my daughter interested in reading.  It wasn’t until she discovered the Rick Riordan books, however, that she really learned to love it.  It was the same teacher my son has now who pointed her at those. 

From Eric G. Swedin: Science fiction (and other branches of speculative fiction) profoundly affected the person that I became.  And in my opinion, those effects were all for the good.

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Speculative Fiction in Education, Post #6: What can fans of the genre do to promote the use of speculative fiction in the classroom?

March 24th, 2010

What can fans of the genre do to promote the use of speculative fiction in the classroom?

From Eric G. Swedin: Volunteer at local schools.  There was an organization called Reading for the Future, but I think that it has faded away.

From Dan Willis: My son’s 4th grade teacher uses speculative fiction extensively in his classroom.  His walls are covered with posters from the Harry Potter movies & promotional materials for other grade appropriate books, all of which he has stocked on his shelves in multiple copies for his students to check out and read.  Having those books on hand for his kids to read is critical.

Fans of the genre would do well do donate such books to interested teachers or schools.  It’s much harder to get a class full of kids excited about a book if there’s only a single copy they must fight over.

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Speculative Fiction in Education, Post #5: What makes speculative fiction a better choice (versus other forms of literature) for helping the reluctant reader?

March 21st, 2010

What makes speculative fiction a better choice (versus other forms of literature) for helping the reluctant reader?

From Eric G. Swedin: Speculative fiction had its roots in adventure fiction and has not forgotten those roots.  Telling a good story is still the main priority, leading to fiction that is more attractive to the reluctant reader.

From Dan Willis: Unlike other genre’s, speculative fiction is usually about adventure.  The encapsulate stories of courage, action, and risk where great battles are fought both without and within.  The draw of such narratives is inescapable and likely to draw in even the most reluctant of readers.  It is when a reader gets sucked in by a story that the change from someone who is required to read, to someone who simply must.

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In the Media – Pixiu Press quoted in the Entreprenette

March 21st, 2010

The Entreprenette collected tips on social networking from small businesses. Pixiu Press submitted a tip and was lucky enough to be selected. You can read the full article here.

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